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Canvas, whiteboards and handwriting

Some thinking doesn’t want to be a document. Pellet has three answers, and all three save as open files you can open elsewhere.

An infinite board you arrange cards on. A card can be a scrap of text you type straight onto the board, or a whole note from your vault — which stays live, so editing the note updates the card.

Good for: planning something with parts, mapping how ideas connect, laying out a project where the arrangement itself carries meaning.

You can group cards, color them, draw arrows between them, and drag a selection to move it as one. Saved as .canvas in the JSON Canvas format — the same one Obsidian uses, so canvases open in both.

A Pellet canvas with grouped, color-coded cards and arrows connecting them.
A canvas: cards, groups and connections on an infinite board.

For freehand diagramming, Pellet embeds Excalidraw — the actual editor, not an imitation. Shapes, arrows, hand-drawn-looking boxes, text.

Saved as real .excalidraw files, so you can open them at excalidraw.com or in Obsidian’s plugin, edit there, and come back.

Good for: sketching an architecture, a seating plan, anything where the shapes matter more than the words.

Export and Import live in the board’s ⋯ menu, alongside the rest of the file actions rather than in the toolbar — the strip along the top is for the tools you reach for constantly, and exporting isn’t one of them. Export a board as PNG, SVG or a copy of the .excalidraw file, either into your vault or out to disk. Importing an .excalidraw file opens it as a new board rather than merging it into the one you’re looking at.

On iPad with an Apple Pencil, .ink pages let you write by hand. Pressure-sensitive, using the system’s own handwriting engine.

Stored as plain JSON, not a proprietary blob — so a handwritten page is still a readable file in ten years.

Transcription turns a handwritten page into a normal typed note, which then behaves like any other note: searchable, linkable, in the graph. It’s off until you set up a service in Settings → AI & MCP.

That can be a cloud service with your own API key — or Ollama running on your own machine, in which case the page never leaves it. Ollama needs no key, just the address it’s listening on (blank means http://localhost:11434) and a model that can see images, like llava. A text-only model will answer about nothing.

A page also remembers how far you had zoomed in, per document, on that device — and changing the paper colour or template no longer throws that away.

Settings ▸ Paper sets what a new Paper looks like: its paper colour, page size and template. Changing any of those inside a Paper changes that page and nothing else — it never quietly becomes your default.

There’s a quicker way round, and it’s usually the better one. Set a page up until it looks right, then press Make new Papers look like this in the toolbar, next to the paper colour. It keeps the colour, size and template — and the pen and ink colour with them. The button greys out once there’s nothing left to save, which is how you know it worked, and on a page you haven’t touched it tells you at a glance that this is already what you’ll get.

The pen and ink colour follow you. Pick the highlighter in green and the next Paper opens with the highlighter in green — no re-picking on every file. You can set them in Settings ▸ Paper too, if you’d rather choose before you start writing.

The eraser is the exception: it’s never handed back, so putting a page down mid-erase can’t open the next one unable to draw.

Nib widths stay in the toolbar, under each pen — a thickness is something you judge by drawing with it. They apply from then on, and never change ink already on a page.

One difference worth knowing if you write on more than one device: nib widths follow you everywhere, because the same page should come out looking the same. The pen in your hand doesn’t — that’s a fact about where you’re sitting.

A new document is named for the moment you made it — Whiteboard - 20260813.1432.07, and the same for Canvas - and Paper -. Never “Untitled”, which tells you nothing and collides with the last four you made. Rename it whenever you like.

Canvases, whiteboards and Paper pages all carry Back (⌘[) and Forward (⌘]) buttons in the tab strip, the same as notes do. Follow a card through to the note it holds, then come straight back to the board you were on.

A canvas, whiteboard or Paper drawing can carry properties like a note can — a status, a stage, a client. Set them from the Table, where the file is a row like anything else, then filter and group on them.

They’re stored inside the drawing itself, so they travel with it when you copy, move or sync it.

Roughly: canvas when the pieces are notes you already have, whiteboard when you need to draw, handwriting when you think better with a pen.